RIVER OF OBLIVION

This Metaludio is part of “4Bars”, a project by photographer Blas González that combines abstract images with written music. More information here.

The original image was processed and converted into an audio file, which was then transcribed into a MIDI file. This MIDI file served as the basis for the piano score. During performance, the electronic part and its piano transcription are played in synchrony, creating a rich, layered sound due to the subtle differences in intonation between the electronics and live piano. This amalgam produces a sound kaleidoscope that evokes the “overpainting” technique of the German artist Gerhard Richter.To amplify the electronics, a powerful speaker such as the Mackie Freeplay Live (capable of outputting 100dB) can be connected via Bluetooth from a computer or cell phone. For optimal sound, the volume should be carefully balanced between the electronics and piano. Ideally, the speaker should be positioned inside the piano to achieve the desired resonance.